Original artwork · Studio release
Four connected bodies of work move between landscape, geometry, collage, and modular structure. Available works and selected sold pieces are shown together as a living record of the studio practice.
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Interior visualizations are presented to respect each artwork’s stated dimensions. Exact measurements are listed with every work.
Collection 01
Created in Saskatoon in 2023, Quiet Horizons brings together atmospheric landscapes shaped by softened skies, distant shorelines, and expansive fields of quiet. The series approaches place as an emotional memory—something sensed through colour, distance, and stillness rather than described literally.
3 works · 1 available
QH · 01
An expansive field of pale water meets a cool blue sky along a narrow, distant shoreline. The work holds the silence of open land and the feeling of looking toward a place that remains just beyond reach.
QH · 02
Soft clouds move across a luminous sky while a restrained horizon anchors the composition below. Subtle shifts of blue, cream, pale yellow, and muted earth tones turn the landscape into a suspended moment between movement and stillness.
QH · 03
A low line of distant hills meets a quiet shoreline beneath a softly layered sky. The curved earth-toned path draws the eye toward the horizon, evoking distance, memory, and the calm openness of an imagined landscape.
Email to purchaseCollection 02
Constructed Rhythms explores the tension between structure and movement. Architectural lines, stacked planes, circles, and painted textures behave like parts of an imagined system—each held in a shifting balance between order, weight, and motion.
4 framed works · 3 available
CR · 01
From a near-black architectural field, fragments of cobalt, red, yellow, and muted green emerge like signals within an imagined structure. Rough edges and interrupted forms create a sense of something continually taking shape—suspended between concealment, discovery, and movement.
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CR · 02
A red circle, a sweeping cobalt curve, and slender black verticals are held in a carefully poised equilibrium. Each form appears to lean, rise, or drift against the next, transforming geometric order into a quiet choreography of weight and motion.
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CR · 03
Rigid vertical forms encounter an instinctive blue gesture beneath the steady presence of a red disc. The composition explores the moment when structure begins to loosen—allowing precision and intuition to exist within the same visual rhythm.
CR · 04
Anchored by a deep red circle, layered blue planes and crossing black lines build upward across the raw canvas. Repetition and interruption create a measured tension, turning the composition into a study of gravity, direction, and spatial balance.
Email to purchaseCollection 03
Tactile Fragments brings painted fields, torn papers, and raised surfaces into direct contact. The works hold rupture and repair in the same space, allowing texture to carry traces of touch, memory, and reconstruction.
2 works · both available
TF · 01
Fields of deep burgundy and blue gather around torn pages and raised seams, as though separate memories are being held together without being fully resolved. Exposed paper and modeling paste become traces of repair, preserving the tension between rupture and connection. What appears fragmented from a distance reveals itself, up close, as a record of touch, time, and reconstruction.
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TF · 02
Bold red, pale blue, ochre, and navy meet around a textured central divide, creating the impression of two worlds stitched into a single surface. Torn Japanese and handmade papers interrupt the painted fields like fragments of a story whose original order has been lost. Rather than completing the narrative, the work invites the viewer to imagine what remains between its visible layers.
Email to purchaseCollection 04
Created in Oakville in 2025, Modular Fields examines how separate units can form a larger visual language. Blocks, bars, paper fragments, and textured surfaces are arranged like elements of an evolving archive—ordered enough to suggest architecture, yet open enough for memory and intuition to interrupt the grid.
2 works · 1 available
MF · 01
Larger planes of burgundy, pale blue, ochre, and deep navy are held within a measured framework of vertical and horizontal intervals. Fragments of Japanese and handmade paper interrupt the painted order, allowing tactile irregularities to enter a composition that initially feels precise. The work imagines structure not as a fixed system, but as something continually revised by touch and memory.
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MF · 02
A denser constellation of painted bars and paper fragments unfolds across the raw cream ground like coded notation or an abstract archive. Repetition establishes rhythm, while subtle shifts of colour, length, and texture resist perfect uniformity. The work transforms accumulation into a quiet architecture in which every module retains its individual trace.
Artwork inquiries
Every available work is original and one of a kind. For purchase details, framing, delivery, or additional photographs, contact the studio directly.
mahsajeffrey@gmail.com